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We were trying to figure out how to do it. It was, “How do we take our art and turn it into something?” We were using stop motion and paintings on glass and all the tricks I had read about in books. We were just interested in visual storytelling, visual narrative. I don’t know if the young lady ever went on to acting. The actor in it is Bill Wisher I worked with him later on the writing of Terminator 2. I wasn’t wasting a lot of time on character development.
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What we were mainly teaching ourselves was visual effects. We didn’t know what we were doing - we were teaching ourselves filmmaking at the same time as we were doing it. It’s amazing to see, in 12 minutes and on a super low budget, all these ideas you later explored later when you had the means to make them into something more. The book has many drawings from your 1979 short film Xenogenesis. You can see a lot of it is influenced by Jack Kirby and Steranko and those guys, and Spiderman comics and Fantastic Four comics. My art education comes from Marvel comics, it comes from the artists of that time. In your teenage years, did you ever think about working as a comic book artist? I’d love to say “all of it,” but I probably saved just about half of it. I literally had a box and just shoved all my artwork into it. I never really thought it would be valuable other than to me, just as a kind of record of my chain of ideas. What compelled you to save all this stuff? Most people don’t have their art from high school, let alone third grade. He said, “Hell yeah, there’s a book.” And they just got to work on it. I said, “You think there’s a book?” We had a good relationship with Raoul Goff at Insight because we had done a book with him called Exploring The Deep. You can see from what’s collected in the book that she included phone doodles and all sorts of back-of-the-envelope type stuff. She went through and literally photographed everything. You’d have to go through it.” Kim literally curated the whole mess. Like on Terminator, I didn’t have any money for a top designer, so I just drew everything myself.” A lot of design work done for the films, especially the early films. “What else have you got?” I was like, “I’ve got stuff going back to third grade, basically. Some of my artwork was put into that show, including some of my Titanic sketches. That’s a touring show that’s in Edmonton, Canada, but it started in Australia.
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Working with her friend, the designer Kim Butts, they put together a show of all my deep ocean notes and technical drawings from the sub. I was talking to my colleague Maria Wilhelm, who was the architect behind the book. Why did you feel like now was the time to share all your art? It’s not effecting us in the country now other than we’re being cautious. We were Covid-free for about 18 months, but now it’s in the country. How are things going down there in New Zealand? He also assured us that Avatar 2 is indeed coming out next year, and that it will be very different than the original one. Cameron called us up from Wellington, New Zealand, where he’s hard at work on the upcoming Avatar movies to talk about the book.